- MILES DAVIS DISCOGRAPHY OF ORIGINAL RECORDINGS HOW TO
- MILES DAVIS DISCOGRAPHY OF ORIGINAL RECORDINGS FULL
Miles did record again for Blue Note, in 1958, as a member of Cannonball Adderley‘s band on the wonderful, Somethin’ Else album.įollow the Blue Note: The Finest In Jazz Since 1939 playlist on Apple Music and Spotify. Back in 1955, when this session came out on a 10” album, Down Beat suggested that it would have “benefitted from the addition of an extra horn.” We beg to differ. ‘Round Midnight is Thelonious Monk’s best-known jazz composition and carries the grand distinction of being the most-recorded jazz standard written by any jazz musician.
MILES DAVIS DISCOGRAPHY OF ORIGINAL RECORDINGS HOW TO
On “Take Off” and “The Leap” he demonstrates just how to construct the perfect trumpet solo.
MILES DAVIS DISCOGRAPHY OF ORIGINAL RECORDINGS FULL
The tracks Van Gelder recorded feature Miles’ trumpet, without the saxophone, and allow him full control. Their first album, The New Miles Davis Quintet, was just the beginning of a prolific period in which they would record enough material for over five albums. The 1953 session is indispensable and worthy enough to follow on from the seminal Birth Of The Cool. 56 tracks (13 previously unreleased along with rare session tracks) represented in this 1999 Grammy-winning package, with extensive booklet with rare photos, essays, sessions analysis and discography. And in this process Miles is a past master.” Leonard Feather, liner notes of the original issue Recorded between Januand June 21, 1968, these 6 CDs include all five complete studio albums cut by the second great Miles Davis Quintet. The recordings listed in Miles Ahead fall into some natural groups, so you can also browse by selecting a category from the second drop-down list. To browse by label, use the first drop-down list.
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“That’s what makes jazz the exciting thing it is, illuminating the character of the man who makes it, fabricating moods and transmitting thought vibrations in the very moment of creation. For a chronological listing of Miles Davis recordings, please see the discography on this site. However, as the three sessions progressed, so did the arc of a musical story, showing how Davis was moving beyond pure bop to create his own unique musical vision and style. The 1952 session was far from Miles’s finest he was seriously addicted to heroin and didn’t have a regular band. This material, along with the cuts from the earlier two sessions, were gathered together to become the first two 12” LPs issued by Blue Note in 1956.
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Held on March 6, 1954, this time he worked with a quartet featuring Horace Silver on piano, and Heath and Blakey as the rhythm section. Miles’ third session for Blue Note was his first at Rudy Van Gelder’s studio, in the producer’s New Jersey living room. Miles Davis & Gil Evans - The Complete Columbia Studio Recordings (Legacy CXK 67397) Miles Davis - Sketches Of Spain (Columbia CL 1480) 1960.